Nature Morph

samsara

Or should I say pig samsara...

I was at the farm again yesterday with my daughter, who had early dismissal from school, and we saw these big piglets sleeping in circular formation.  It reminded me of the concept of samsara and also the image of the ouroboros -- bringing to mind the cyclical nature of things, the constant cycle of renewal and rebirth, etc.  (Side note: I think I am missing my old days in divinity school right about now.)

Image from this link.

Not to cheapen these lofty concepts by applying them to the drama of my day-to-day life, but I was thinking how my art life is this constantly repeating cycle of working like crazy, installing a show, having the post-show slump, and then kicking it back into high gear again to prepare for yet another rapidly-approaching show deadline.  And then that show gets installed, and the cycle begins again.  As I have mentioned in the past, ad nauseum perhaps, I have still not mastered the art of working steadily, day in and day out.  I'm much more about the valleys and peaks.  And I sort of get off on the rush of it, but it is also exhausting and emotionally and physically draining, and it makes me slightly crazed all the time. 

Speaking of rapidly approaching shows, over the weekend I designed the postcard for my upcoming show at Rare Device. 

 

I've been wanting to title a show "Shapeshifter" for a while now.  It's a more elegant word than "morphing" (which I have probably way overused at this point), and I like its mythological/folkloric connotations. I think it applies mostly to my she-wolf and she-falcon drawings, but it still works for my animals who change forms, too.  I will be out in San Francisco the first weekend in June for the show opening, and I'm looking forward to meeting the two Lisas out there.

So I am continuing to plug away at my work table in the studio, where I've been working under the stern gaze of an old painting I did of myself (was my hair really ever that short??), and now that I look at it, I think I am done being stared at by a younger, painted version of me!  That thing is coming down today, pronto.

Happy Thursday to you all!

scrapbooks

I'm still catching up on things after being in DC for a number of days.  Since the studio is slow going right now, I thought I'd post some images of a fledgling collection of mine -- old scrapbooks and sketchbooks I've been finding in antique stores.  This first one is one of those questionnaire books I remember making and swapping with my girlfriends in elementary school, where each person fills out their name and answer the same bunch of questions, some benign (name/age/hero/favorite color, sport, food, etc.) and some slightly more probing (latest crush, best looking boy, etc.).

 

I love the old magazine cut-outs, but I also think the sociology of this little piece of American history is fascinating.  Take the girls' names, for instance: Marion, Helen, Grace, Louise, Charlotte, Ruth, Sadie, Margaret, Olive, Gladys, Bessie, Ethel, Bertha, Lillian, Esther...  Amazing how some of these are very much back in fashion in terms of baby names.  And then there are their "ambitions," which largely favored being mothers or teachers, though there was also someone who wanted to be an artist (yay!), graduate with honors, and my favorite, "to be real, raving happy."

My favorite part of the book is this little scrap of paper that was tucked in between two pages.  It reads: "You'll wed before your twenty-eight. If not then, 'twill be too late!!!"  I love how it's on inky black paper, perhaps suggesting the doom of the statement on it.  Ha!

The second book I have is much more of a scrapbook.  There are quotes on every page, handwritten and burnt on the edges for effect.  I love all the collaged bits of ephemera.

This detail is my favorite.  I love the color palette.

Now if only I could spend some time working on my own sketchbook, that would really be something! 

on vacation

I am here:

At the Museum of Natural History, I discovered this guy:

None other than a pink fairy armadillo, of course.  (Who knew??)

And, Mr. Einstein, I apologize for smirking in your presence.

I'll be back in the studio on Wednesday; see you then!   

slow progress

I've been working on this duck magnolia drawing for the past few days.  It's slooooow going.  I hope I finish it today.

It's based on this duck:

 

And this yellow magnolia:

I love yellow magnolias!  Last year, I made a few watercolors based on them.  This cardinal magnolia was shown at the Scope Hamptons art fair last summer.

And ths goldfinch magnolia was in my Anima Mundi show at Jen Bekman last spring.

I'm taking a mini-vacation this weekend; see you next week!

chasing magnolias

My life is a perpetual mad scramble.  Help, anyone?  And: the magnolias are blooming like crazy right now, and I have a small window of time to shoot pictures of them to use as source material for my watercolors, so I've been out with the camera most days, stocking up on pictures and striking while the iron is hot.  The magnolia buds are so creaturely that I can barely stand it. 

 

They remind me of some old wall drawings of mine:

So I'm sort of going overboard with the gathering of source material, but with the sudden warm and sunny weather still a novelty, I have an easy excuse to be outside.

I am finishing up a watercolor which I hope to post by the end of the week.

And, finally, thank you so much for all the positive feedback about my bird heart print, and my show in Seattle, and so forth.  It certainly makes my life as an artist a lot more rewarding.

available for purchase

My Bird Heart print is officially up on the Keep Calm website!  You can buy it here.  You can also read the short bio I wrote about myself here.  (Side note: does any artist actually enjoy writing these things and then having to go read them once they are out there for the public to see???  *gulp!*)

Excitement was high at my house this morning, owing largely to the fact that my daughter got some indirect credit for the very existence of this print (see links above).  So the breakfast table quickly morphed into a makeshift art studio, and together we began working on a parrot heart collage.

I don't know if there is a better way to start the day than to find my print online and on sale, collaborate on an art project with my daughter, and read that it is going to be 77 degrees and sunny today in Boston.  Sort of softens the blow of the not-so-glowing review of my Punch Gallery show that ran in today's Seattle Times.  I should not complain; yesterday, I got another nice mention in the Seattle Post-Intelligencer.

Have a great weekend, everyone! 

you've got mail!

Just a quick post to say that my bird heart prints arrived in the mail today from the printer in Paris!

(That's a shadow on the upper left corner of the paper; the print is pristine white.)  Now I need to sign and number all 80 of them and ship them off to London, and then they will be available for purchase at www.keep-calm.com.  Can't wait!

I'm hoping these prints will inspire me to get back in gear in the studio.  I am definitely wrestling with that dreaded post-show slump.  I've been out walking with my dog and my camera quite a bit, hoping that something will click.

 

Hope to be back soon with some new art!

bits and pieces

The Seattle Post-Intelligencer ran a great review of the Animal Spell show at the end of last week.  Many thanks to the writer, Nate Lippens, for his thoughtful take on my work; I love how he said that my "trippy visions suggest Alice in Wonderland at a nature conservancy."  My show partner Justin Gibbens has another 2-person show up in Seattle right now, this time with the photographer Nealy Blau at G. Gibson Gallery.  These two watercolors are my favorite pieces from Justin's show at G. Gibson:

Out in L.A., my friend Ryan McLennan has a new show up at Kinsey/DesForges Gallery.  I love these!

It's amazing how my thoughts have already turned to summer, with spring barely here yet.  Lisa Congdon and I decided on the date for the opening of my show at Rare Device in San Francisco (Friday, June 6!); my daughter is all signed up for camp; and I have some Red Sox tickets for a hot July night.

In the meantime, the magnolias are blooming!

 

goats and plovers

I was at the farm this weekend with my daughter.  We went in search of baby animals, and we were rewarded with lambs, kids, and calves.  Look at this mommy goat guarding her kids in their crib; there is something sort of heartbreaking about her:

And this is one of my collages from yesterday.  Plovers!

I went with shore birds because I am thinking about summer.  Spring is a big tease thus far.  The bulbs are coming out, but it has been cold, cold, cold. 

post-Seattle

I'm back from Seattle, though I'm still recovering from the red eye flight back to Boston that I caught right after my opening at Punch.  My trip was great!  The weather was gorgeous, I had a fun time with friends, and I'm really happy with the show.  And it was so fun to meet people who "know" me through this blog!  Thanks to all of you who came out for the opening and introduced yourself, and also to those who have been blogging about the show and my work.  I am hugely appreciative and humbled and just plain happy about it. 

So here is my trip in pictures:

Spectacular view from the plane.

My framed collages.

My watercolors.  I've never hung them unframed, with clips, before.  Not great, but I think it's OK.  Plus, what's done is done!

The magnolias were blooming in Seattle!

 

Pike Place Market.

I'm easing back into the studio now.  I have some new collages that I'll post tomorrow, and hopefully the problematic she-wolf piece will come together soon...